In ‘The Vatican to Vegas,’ his study of the architectural illusion from 1580 to the Electronic Baroque of today’s building structures including Las Vegas casinos, Norman Klein articulates how the special effects of scripted spaces could be related to animation-247. He offers an idea of how animation was a Baroque form of narrative and explains the way in which its story is built up from the instances when ‘illusion’ and the ‘real’ are trapped inside the same gesture. This film is done by Oskar Fischinger, a great animator that created abstract animations.